

The same can be said with Boy as the two slowly learn that they are one and the same. Clare’s nightmares about her attack are pure horror and her emotions are free-flowing in the form of tears and violence, but also a simplistic beauty of a song.

This unlikely pair have been persecuted their whole lives and have lost the ones they love, but both have different ways of dealing with their anger, which Kent showcases on-screen flawlessly. She crosses paths with an aboriginal man she calls Boy, who helps her out in her quest.īack in this time period, the British soldiers nearly wiped out all of the aboriginal race on sight, so the duo that is formed between Boy and Clare has multiple layers of motivation. After this horrendous assault, Clare sets out to find the three men and kill them. It doesn’t end with here either, but if you think of the worst thing that can happen to someone, Kent takes a couple of steps further here. Early on, Clare is viciously attacked by three British officers in uniform that is so visceral that I found it difficult to watch.
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Clare sings like an angel and must do manual labor for her sentence while witnessing the evil British regime do and say what they please, including murder and rape. We meet Clare (played perfectly by Aisling Franciosi), who is a young Irish convict who lives with her husband and their new baby. This period piece is an ultra-violent thriller that goes for the realistic approach where a woman who underwent the vilest attack sets out on a revenge journey to confront her assailants in Australia’s blood-soaked 19th century. Kent’s second film The Nightingale is a huge deviation from The Babadook in tone, style, and time, although the semblance of a mother-daughter relationship is rooted in the story. It quickly became a genre favorite amongst horror fans and myself where I still watch it five years later on a regular basis.

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The horror that Australian writer-director Jennifer Kent created in that movie was refreshing and original. The 2014 feature film The Babadook took the world by storm.
